The remaining channel facilities are common to both types of channel. The mic/line channels differ from the stereo line channels only in the input section, the former providing an XLR connector for mics, a balanced TRS jack socket for line signals, a preamp with up to 60dB gain, and an 18dB/octave, 75Hz high-pass filter. Both models come with bundled Steinberg Cubase LE4 installers for Mac OS X and Windows XP.This compact mixer's 14 60mm faders control eight mono mic/line channels, four stereo line-only channels, and two stereo output busses. The smaller MultiMix 8 gives roughly half the horsepower: eight channels, four preamps, and 10-in/two-out audio interfacing. The requisite drivers are provided for both Mac OS 10.4 and Windows XP SP2 (WDM and ASIO).Two frame sizes are available in the range, of which the MultiMix 16 USB 2.0 under review here is the larger, offering 16 channels, eight mic preamps, built-in digital multi-effects, and 18-in/two-out interfacing. The USB 2.0 range provides similar 24-bit multi-channel audio interfacing as on the Firewire models, but adds 88.1kHz and 96kHz sampling rates to their 44.1kHz and 48kHz rates.
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